My Star Wars Entertainment Update November 2025

Hello friends! I hope everyone had a great Thanksgiving, if you celebrate that where you are. 🙂 A few things to get to, so here we go!

Warning: SPOILERS!!!

Visions Season 3. I’d really been looking forward to this edition of Visions, as I’d loved the first two, especially Season 2. And while this one offered some good, entertaining episodes, none of them really stood out to me and I didn’t absolutely love it like Season 2. I think, like Season 1, these were all Japanese anime studios, while Season 2 encompassed other anime studios from around the world, and I think I loved that kind of diversity. So there seemed to be a certain stylistic sameness here that didn’t resonate with me.

That being said, there were some good ones. The sequel to Season 1’s The Duel, with the Ronin (The Duel: Payback), was a favorite, as I love the style, and the character of the Ronin. (Someday, I’m going to read that Ronin novel!) The Bounty Hunters was great, with the droid with two personalities, lol. I think my favorite, though, was The Smuggler, with the exiled Prince and the secret Jedi with the lightsaber hidden in a prosthetic arm.

The other two sequels, The Ninth Jedi: Child of Hope and The Lost Ones, were fine, but I feel like the Ninth Jedi one was holding back for the future series (although I did love that crazy ship, and the little droid who sacrified himself for Kara); F in The Lost Ones has to face her old master who has turned to the dark side, though it’s unclear how that came to be.

Yuko’s Treasure was kind of adorable with the big bear droid with a microwave belly, and the theme of found family is fitting for Star Wars. The last two episodes were my least favorite, though they were the most visually stunning. The Bird of Paradise was gorgeous, but the Padawan in question is unbearable, lol. I was left wondering how she got to be a Padawan in the first place with so many un-Jedi-like qualities–impatience, self-centeredness, self-pity, anger. I understand she had to work through these things to become more Jedi-like (and I’m not even sure if she survived or not by the end), but I had zero empathy for her. And Black is a psychedelic trip that is up for interpretation. Maybe it’s because I don’t do drugs, lol, but damn, it was just weird and alienating. My interpretation is that it’s a stormtrooper’s dying flashbacks to his life and the battles he’s fought. It’s an interesting premise, but I was glad when it was over, lol. Just not my thing.

I’m hoping that if we get a Season 4 we can get more of the anime studios from around the world, as I seemed to enjoy those most.

Master of Evil, by Adam Christopher. This book was much more satisfying than the last canon book (The Last Order). At first I thought, hmm, another Vader story? Do we need one? But I heard good things, and I’m happy to say that it was well worth the read.

The book takes place mere days or weeks after events of The Revenge of the Sith. The Empire is new, and Vader himself is new, so to speak. Sidious has not been forthcoming in his promise to teach Vader the secrets of the Sith and how to conquer death (although, technically, Palpatine promised the power to “prevent” others from dying, not bring them back from death, right?) Anyway, Vader is still obsessed with bringing Padme back into his life, and if Sidious won’t help him, he’ll figure it out himself. Sidious sends him on a mission to Diso, a distant planet, to investigate a Force shaman and the rumor of a Temple which holds a Force vergence.

Instead of being completely from Vader’s point of view (there’s a handful of short chapters from him, though), the main point of view is from Colonel Halland Goth, a member of the Imperial Royal Guard. He’s proud to serve, but the problem is, he’s dying. He’s got Kangly’s disease, which makes him feel like he’s burning up from the inside out, and will eventually kill him. He’s got his own personal droid, TC-99, who not only helps him with his medical needs, but is a good friend. Goth is tasked by the ISB to keep an eye on Vader, who no one really knows anything about yet, and he accompanies Vader to Diso. While on the mission, Goth figures out that Vader is probably Anakin Skywalker. As a good Imperial soldier, Goth swallows the propaganda that the Jedi were traitors and is glad to be rid of them, but he’s fascinated with Vader: he realizes the suit he wears is keeping him alive. He gets the crazy idea that Vader, and that kind of technology, might help him survive. He wants to live, and he wants to serve.

The Temple in question turns out to be on a Separatist ship stuck in hyperspace somewhere (it’s a long story involving Count Dooku, lol), and that’s where the climax of the story happens. The vergence in the Force emanating from the Temple causes Vader to have some interesting visions; the shaman’s wife and daughter have gotten involved, and want revenge on Vader; there’s a couple of droid scientists from a former Techno Union Corporation on board who want to utilize the brain of a super-tactical droid running ship; and Goth is near death, just trying to keep everybody alive, while realizing he himself won’t be getting any miracle cure from Vader. He understands that it’s not just the suit that’s keeping Vader alive, but the Force itself. And he realizes that the Empire he’s so loyal to is not exactly what he thought it was.

Goth is a likable Imperial protagonist, and his friendship with TC-99 is touching. The theme of “masks” runs throughout the story: TC-99 has data matrices from many other droids he can insert into his chest plate to learn whatever specialty he needs to, but sometimes the personality of the droid is very strong and takes him over, as if he’s a completely different droid. The natives of Diso wear masks in their Force rituals; Jarvic, one of the droid scientists, has a wrap-around cyborg implant in his head (like Lobot) and the tactical droid ends up plugging into it and taking him over; the evil entity from the Temple (the dark side itself) temporarily takes over the shaman’s wife; Goth himself wears the red mask of the Royal Imperial Guard, but is he loyal to the Emperor, Vader, the ISB, or himself and TC-99? It shifts throughout the narrative. And of course, there’s Vader himself and his iconic mask, representing the split between himself and Anakin Skywalker, who he battles in one of his visions.

I loved this book, and though maybe we didn’t “need” another Vader story, I’m glad we got this one.

Comics:

Han Solo: Hunt for the Falcon #3. Han and Chewie continue to search for the Falcon, as the Irving Boys point them in the direction of Unkar Plutt. There’s another flashback to Han’s past, with young Ben wanting to spend time with his dad, tinkering with a landspeeder, and Leia scolding him for not finishing his studies. Han and Leia then argue about the whole thing. (I feel like Leia is being a bit unreasonable here; geez, let the kid spend some time with his dad, lol). Han and Chewie end up arguing, as Han discovers that Chewie has been speaking with Leia without telling him. Anyway, Ducain gets back into the picture and decides to warn Plutt about Han and Chewie coming to look for the ship. There’s only one issue left, and I’m eager to see how this concludes, as we already know they don’t get the ship back until The Force Awakens.

Legacy of Vader #10. Kylo, back on Mustafar with Vanee, goes into Vader’s meditation chamber to see if he can find Luke Skywalker. The man is dead, and Kylo is still obsessed, lol. At first he sees weird snake-like creatures with the heads of his family, and he spends time cutting them down. Then, he finds himself somewhere that looks like Force Heaven or something, and a Force ghost tells him he shouldn’t be there. But Luke’s Force ghost comes over and chats with Kylo. Kylo wants to know how he died, who killed him and how much he suffered. But Luke tells him no one killed him. He sacrificed himself for those he loved. That’s what his life was for. “What’s your life for?” he asks Kylo. And of course, this enrages him. “Stop trying to teach me!” he yells at him. Luke points out that he shouldn’t have been able to access this place, and Kylo should think about how he did. (There’s still Light in him, if you haven’t figured it out, lol). Then Kylo is punished by some darkside creature for (unconsciously) accessing the Light to go there, and he comes out of the meditation chamber terribly wounded. I really liked this issue and his conversation with Luke, but as we know Kylo doesn’t really learn anything from it.

Non-Star Wars pick of the month:

Frankenstein, directed by Guillermo del Toro. Frankenstein has always been a favorite of mine, meaning the book and any movie adaptations that come along. I loved the Kenneth Branagh adaptation from 1994, and I think it’s still my favorite, but this one is a close second, although it’s very different in style and tone. Director Guillermo del Toro has a very distinct style and that comes through in this film very clearly. The subject matter is naturally gruesome, but it’s brought to a level of grotesqueness that’s more creepy than bloody (though there’s plenty of that, too, lol). There’s always a ton of stuff you can break down in this story, but I’ll just briefly touch on my thoughts here, since I think we’re all familiar with the basic storyline.

As you may know, I’m a fan of Oscar Isaac, and he did a fine job as the obsessed Victor Frankenstein. To be honest, I thought Mia Goth’s character as Elizabeth was just weird. In this version, Elizabeth is Victor’s brother William’s fiance, instead of Victor’s eventual bride, but there’s a sexual tension between her and Victor. I like that she has compassion for the Creature, but there’s something weird about it. She’s just weird, lol. Maybe it’s the actress, I don’t know, I haven’t seen her in anything else (I hope I like her better in the upcoming Star Wars film Starfighter). We’ll see.

Speaking of the Creature, I think Jacob Elordi does a fantastic job with him. I always love the Creature in any version, and this one was especially child-like and sweet (until he’s not, of course, lol). My sentimental mother’s heart always breaks for this child that is rejected by its parent; in other versions, it was fear that caused Victor to reject him, but here it’s more disappointment. He doesn’t learn to speak properly right away, and Victor, aghast that his creation is so dumb, is pretty damn mean to him and it’s clear that once again, Victor is the true monster here. Of course, it mirrors Victor’s father’s disappointment in him, a cycle that he doesn’t even realize he’s repeating.

I do like that the two forgive each other at the end, which does not happen in the book (not really), but instead of them both dying, the Creature in this version cannot die and must live alone forever in the Arctic wastes, which is the saddest thing I can think of.

So, an interesting and unique interpretation of an eternally fascinating story; not perfect, kind of weird, but definitely entertaining.

That’s it this month. What’s been entertaining you lately? Let me know in the comments and we’ll talk about it!

My Star Wars Entertainment Update for October 2025

Hello friends! Lots of things to cover this past month, so let’s get started.

If you missed the past two reviews of my Legends Reading Challenge, here are the links: Deceived, and Red Harvest.

The Final Order, by Kwame Mbalia. I’ve been really looking forward to this book, as I’ve been extremely eager for some post-sequel trilogy stories. In fact, we sequel fans have been starved for stories, and we kept waiting and waiting and waiting…

Well, this book ain’t that.

Not exactly, anyway. It begins mere days after the Battle of Exegol with a young man named Coy, who’d been part of the Citizen’s Fleet. His family grows tea on his home planet, and he was pretty damn well terrified at the battle. But he made it and is proud he took part. He was ready to go home…until a ship arrived full of refugee kids from the First Order, and Finn and Jannah need a ride to find a vicious FO officer named Major Grohl. So Coy finds himself on another adventure.

But the bulk of the book is alternating chapters between Finn and Jannah, flashbacks to their time as stormtroopers. Like, 95% of the book. Which was disappointing. Sure, we get to see Jannah and her troops refuse to fire on civilians on Ansette Island–at the very end of the book. And the whole story of how they got to that point. As well as Finn’s entanglements with Major Grohl. But did I really need these stories? No, not really. Nope.

That’s not to say it’s a bad book. The author did a fine job with what he was given and allowed to write about. But it wasn’t what I expected or wanted, and I’m being grumpy about it, lol. I feel like Lucasfilm/Disney is holding back on sequel-era stories, while The Rise of Skywalker came out six freaking years ago! We’ve gotten plenty of “leading up to” stories, and “between this movie and that movie” stories, but nothing after. It’s frustrating. And yes, the Rey movie, blah blah blah, but who knows if that will even come out? (I hope so). And yes, Starfighter takes place after the sequels, and I’m eager to see what might be going on. But damn, give us some books or comics with Rey, Finn, Poe, etc. after TROS. Please???

Anyway, rant over. The book was fine, and if you want to know more about Finn and Jannah’s experiences as stormtroopers, this is your book; if you’re looking for new, uncharted material, you’ll have to wait.

Comics:

Han Solo: Hunt for the Falcon #2. Han and Chewie continue their search for the Falcon, this time running into the Irving Boys. The only thing I find particularly interesting about these comics are the personal moments, the character-driven moments, Han’s memories of his family, etc. At the beginning of this one, Leia is speaking to Chewie via hologram and warns him not to let Han drag him into one of his schemes. To go back to his family. Also, Han has a memory of himself and Leia with little Ben on the Falcon, and Ben is so excited to be at the controls with his old man. Damn. I imagine the next two issues will involve Unkar Plutt, the Guavian Death Gang and/or Kanjiklub. Stay tuned.

Legacy of Vader #9. Tava Ren fights Kylo Ren, then they have dinner, a little conversation, she kisses him, he recoils and attacks her, she escapes his ship, and though he could shoot her ship down, he lets her go. In a nutshell, lol. Tava fights Kylo, teases him, provokes him, infuriates him. I’m still not sure why she even went there, to be honest. To serve him was a lie, and she admits that. She tells him he misses the freedom of the Knights of Ren, that with the First Order he’s in a cage. She definitely strikes a nerve, but I’m not sure if we’ll see her again or what her end game is. Stay tuned.

Visions 1 & 2 rewatch. With Season 3 of Visions dropping on October 29th, I thought I’d rewatch Seasons 1 & 2. There’s only a few episodes that don’t really resonate with me, but for the most part I love this series. My favorites are “The Duel,” “The Ninth Jedi,” and “The Elder,” from Season 1; almost all the episodes from Season 2 are fantastic but I particularly love “Sith,” “The Bandits of Golak,” and “The Pit.” I can’t wait to see what we get in Season 3–there are sequel episodes to “The Ninth Jedi” (and a series in the works, I hear), and “The Bride.” I love it all so much!

(I’ve since watched S3 and will discuss it a bit more in my next Update).

Book news:

Ooh, new book news! I love that we’re getting some more sequel novels; along with The Last Order (see above), we’re getting this one with Leia and Rey between The Last Jedi and The Rise of Skywalker. Can’t wait! Here’s the blurb:

STAR WARS: LEGACY

By Madeleine Roux

On Sale Date: July 28, 2026

Set between Episodes VIII and IX, Rey and Leia embark on a quest to repair Rey’s lightsaber and rekindle the legacy of the Jedi.

After barely escaping the First Order on Crait, Rey and the Resistance are struggling to rebuild. Her friends need the last Jedi more than ever, but Rey feels alone and overwhelmed. Jedi tradition is built on masters and apprentices, and Rey’s teacher is gone. Leia Organa tries her best to train Rey in the ways of the Force as Luke did for her so many years ago, but Leia’s knowledge is limited, Rey’s lightsaber is broken, and the specter of Kylo Ren and regrets from the past haunt them both. How can Leia pass the torch when she herself is unsure of the way?
But then, the ancient Jedi texts offer a glimmer of hope: a long-forgotten Jedi temple on Tython that might hold the key to repairing Rey’s saber. Rey leaps at the chance to journey there — and to her surprise, so does Leia.
Rey and Leia’s nascent mentorship is put to the test when they discover the temple on Tython is filled with obscure clues to decipher and arcane trials to complete. As they work to unravel the temple’s mysteries, they encounter a group of refugees living in its shadow, hiding from a First Order officer hot on the trail of two freedom fighters in their midst. With the threat of the First Order looming and the secrets of the temple yet to be unlocked, the newly forged master and apprentice must confront their pasts, reach each other in the present, and decide what it means to carry the legacy of the Jedi into the future.

Again, an “in-between” story, but I’ll take it, because I still would like some more insight into Rey and Leia’s relationship.

Eyes Like Stars, by Ashley Poston. There’s always been romance in Star Wars, with some books focusing on it more than others, but this one is being touted as the first “romance novel” in Star Wars. It’s a young adult novel, which makes sense, and I’ll probably read it out of curiosity. It’s also during the sequel era, which is a plus. I’m kind of hoping it leads to more romance novels featuring more familiar characters (Obi-Wan and Satine, anyone? We’re waiting, Disney/Lucasfilm!), but we’ll see. Here’s a little blurb:

What’s been entertaining you lately? Let me know in the comments and we’ll talk about it!

I rank Star Wars streaming content from 2023

Now that 2023 is over, I thought I’d do a personal ranking of the streaming content we got in Star Wars during the course of the year (excepting Young Jedi Adventures, which I have not watched). Here’s my list, beginning with my favorite, on down to my least favorite:

One of the most wrenching scenes of TBB S2 (besides *that* one): Crosshair is brought to the brink.

The Bad Batch S2. I think you all know how much I love the Bad Batch, so this shouldn’t come as a surprise. Season 2 had some great story arcs, more characterization, a new villain, and some heartbreaking moments. The Clone Conspiracy arc was especially fantastic; Echo and Tech both got some quality-time episodes that help us understand their characters more; Dr. Hemlock is creepy, cold-hearted, ambitious, and probably a little insane; and Plan 99–well, you know. I’d like to give a shoutout to Crosshair’s episodes, The Solitary Clone and The Outpost, as nominees for Best Star Wars content probably ever. Once we see a trailer for Season 3, my anticipation will reach a fever pitch, lol.

Oh Baylan, we hardly knew ye. The mystery of Baylan Skoll was one of highlights of Ahsoka, as well as the great performance of the late Ray Stevenson.

Ahsoka. This series was a bit uneven for me, but I still enjoyed it immensely. I will say it’s basically Rebels Season 5, but it was great to see some of my favorite animated characters in live-action. It has great mystical elements (Dathomirian witches!), warp-speed space whales, zombie stormtroopers, ancient artifacts, lots and lots of lightsaber battles, Baylan Skoll (he warrants a category of his own), the return of Ezra Bridger and Grand Admiral Thrawn, and oh yeah, Anakin Skywalker in the World Between Worlds. It was quite the spectacle, it was fun, and I love Ahsoka.

I loved the look of this episode (“Sith”) and the theme of leaving your past behind to become a better person. Also: Force Art.

Visions S2. I really enjoyed Season 1 of Visions–I thought it was a great way to get new, original Star Wars-inspired stories. I had some clear favorites, while others didn’t grab me, but overall it was great fun. So I was excited to learn about Season 2, and I think I loved it even more. Every single episode was a strong installment for me, and I loved the global feeling of this season as well. Some standouts for me were Sith, Screecher’s Reach, and The Spy Dancer. But seriously, I loved them all. I hope we get more Visions in the coming years.

“Bad baby!” Grogu is always the best part of The Mandalorian.

The Mandalorian S3. Sad to say, this was my least favorite Star Wars offering of last year. I’m not saying it was bad; it was entertaining, and I enjoyed it. But it just didn’t grab me the way the first two seasons did. Part of this is because a good portion of it consists of the Mandalorians trying to get along with each other as they attempt to retake their homeworld (I’m not sure why, since it’s almost completely destroyed), and Din and Grogu’s part in it. That’s fine, I understand why this story needed to be told, but I really just prefer the more intimate story of Din and Grogu, what they mean to each other, and their adventures together. I hope we get more of that if a Season 4 happens; the Mandoverse is in a bit of flux right now. Will we get a S4? What about an Ahsoka S2? How will Filoni’s movie fit into it all? I guess we’ll just have to wait and see, but this is the only series I have not rewatched yet, and that says a lot.

What about you? What was your favorite Star Wars streaming content last year? Let me know in the comments and we’ll talk about it!

My Thoughts on Visions S2

SPOILERS for Visions Season 2 ahead:

Visions Season 2 premiered on May 4th, and I have to say, it’s spectacular.

I enjoyed Season 1, with a few that I loved, some that were fine, and a few I just didn’t care for. With Season Two, I can confidently say that I loved them all to some extent, with a few favorites, and none that I didn’t like. They are all wildly different on the surface, with different anime styles but all beautiful in their own way; with similar Star Warsy themes running through them like a thread connecting them all. Here are some brief thoughts on each (and please forgive any mispellings or mistakes on names):

Sith. (El Guiri, Spain). The first one is my absolute favorite. Not only is it fantastically gorgeous, but I loved the story and the message that it illustrates. Lola lives with her droid in a place that comes alive with her art. She has nightmares, and tries to erase the darkness from her paintings, to no avail. It wants to be a part of her work. We find out that she is a former Sith, who left that life, and now her former Master has come looking for her. He is terrifying, and Lola must face her fear and overcome it, and to accept the darkness within her. She is no Sith, as she asserts, but must accept both the light and the darkness as equal aspects of herself. This realization helps her defeat the Sith Master. As she leaves the planet, she states that she is the Master now–of her own destiny, free to paint it anyway she wants. I loved this episode so much; it wowed me from the very start. I never knew anime could do these things, that it could look and feel like this. Absolutely amazing, and for me, the best of the bunch.

Screecher’s Reach. (Cartoon Saloon, Ireland). This one has a more cartoony look, but an even darker feel than “Sith.” There is no light anywhere, except perhaps in the hearts of the young ones that accompany Dal to Screecher’s Reach. They all work in a miserable factory, and Dal can’t take it anymore; she seeks escape in a journey to the dark cave. Her friends treat is as a lark, an adventure, but as things get real scary, they want out. But Dal is determined to face the darkness of the cave, often talking to a medallion she has around her neck, asking it for strength and courage. She faces the ghost/banshee/demon Sith or whatever it is in the cave, and kills it with its own red lightsaber. Once out of the cave, Dal speaks to the medallion again and a spaceship lands near them. A strange, creepy being descends and tells Dal that she passed the test, and that she must decide if she’ll come with her. Dal has dreamed of escape, and is excited at first, but is sad she must leave her friends. To them, and to us, the strange being is not benign, and we suspect the being is a Sith. Dal chooses to go with her, but her last look at her friends is one of uncertainty and fear. We fear that Dal has made the wrong choice, that her life going forward will be one of darkness. Probably the darkest of the bunch, and a bit depressing, lol.

In the Stars. (Punkrobot Studios, Chile). This one has two sisters living on a planet that the Empire has taken over. They are the last of their tribe, as the others were killed when they fought against the Imperials. Their mother had led the attack, and she had the Force, but it wasn’t enough. We get this background story through the tribe’s art: glittering, living pictures brought to life by starlight. But the starlight (who they believe are the souls of their lost tribe) is dimming, as the Empire’s factories belch smoke into the sky, obscuring it. The younger sister is fierce in her desire to fight the Empire, while the older sister, impatient with her young, headstrong sibling, feels a responsibility to keep her safe. The young one insists they have “Mum’s power,” or the Force, but the older one scoffs. The Empire siphons off their water supply, so the older sister goes to the factory to steal some water. However, the young one follows and soon gets in trouble. They flee, but when the younger sister is captured and is thrown from a ledge, the older sister reaches and uses the Force to save her. Together, they use their mother’s power to destroy the factory, the smoke clears and they can see the stars again, and the world will heal. The younger sister was pretty annoying at first, but of course she was right.

I Am Your Mother. (Aardman, UK). This one was used with stop-motion technology, and is a sweet story about a young girl learning to appreciate her mother, who, let’s face it, is pretty embarrassing, especially to a teen. Annnie (Ani?) goes to a fancy flying school taught by none other than Wedge Antilles. There’s a family race taking place, but Annie doesn’t tell her mother. She forgets her lunch, though, so her Mom shows up with it just before the race. At one point, she hurts Mom’s feelings by telling her how embarrassing she is, but Mom’s a tough cookie, and when the snotty rich girl and her horrible mother make fun of them, Mom is all in for the racing to show them a thing or two. They win, of course, and it’s a fun, light-hearted story, the lightest of all of them. I do love a particular Easter egg in this episode: when Annie and her friends are walking through the street, you can see Maz Kanata’s arm reach out and take Luke’s lightsaber from the items alongside the street. I never would have caught it myself; I learned about it from an interview with the creator on an episode of This Week in Star Wars, and I looked out for it on rewatch. Also, Annie calls her Mom “Red Leader” and Annie is “Red Two.” I think Wedge was Red Two in ANH.

Journey to the Dark Head. (Studio Mir, South Korea). So this one seemed like your more typical anime, with some over-the-top lightsaber battles and histrionic screaming matches, which isn’t really my favorite type. I didn’t like it at all at first, but on a rewatch decided it wasn’t too bad. Atta is a girl who grew up on a remote planet which has two statues: a buddha-like head that represents the Light, and another the Dark. When it rains, the rocks below can be prophetic, and she sees something with three figures that may take place in the future. When she’s grown, she goes to the Jedi Council and tells them if the Dark head is cut off, then the Sith war that has been raging will end (I’m assuming it will cut off their power or something? Not sure of the significance). They agree and send a young Jedi with her, Tal, who has a lot of anger in him. His Master had been killed by a Sith, and he is restless, seeking vengeance. The Sith had recognized it in him, and told him they’ll meet again and he will join him. The Sith follows them to the planet with the statues, and engages Tal while Atta tries to blow up the Sith head. But a problem occurs: both the heads have red and blue light, representing the Light and the Dark. Clearly, one cannot exist without the other. They will always co-exist. So she can’t blow them up; she uses the explosives to help Tal in his battle with the Sith. Tal kills the Sith after realizing why he was sent there: to face himself, and the anger within himself. Not a bad message, and the banter between the two is charming.

The Spy Dancer. (Studio La Cachette, France). The Spy Dancer is another one of my favorites. It tells of Louie, a dancer in an Empire-controlled world who uses her art for the Rebellion. Her swirling fabrics cascade around her as she twirls down gracefully and elegantly, all the while attaching trackers to the stormtroopers who are in attendance. It kind of reminds me of a Star Wars Moulin Rouge, lol. Years ago, her baby son was taken by an Imperial commander, and she hasn’t seen him since–until this night, when he returns with his “father’s” cloak and staff. Louie recognizes him, and though she fights him, she does not hurt him. The fight goes to the top of the building, where she escapes with the help of her friends, but not before embracing the frustrated, puzzled young man and telling him who he is. A beautiful, poignant story that’s at the top of my list.

The Bandits of Golak. (88 Pictures, India). This is another one high on my list. The story of a big brother helping his Force-sensitive younger sister get to a safe place, this one is visually stunning, and I love the Indian influence. The young sister, Ronni, is, again, annoying, being incredibly stupid in using her powers in public. Aside from this, I loved the Inquisitor, and the old Jedi woman who fights him. Parting the water in the pool, revealing a secret passageway, is super-cool, and I’d like to think it leads to the Path, the sort of underground Jedi railroad we saw in Obi-Wan Kenobi. I just loved the feel and the visuals of this one.

The Pit. (D’Art Shtajio and Lucasfilm Ltd, Japan and the US). This one has no Jedi or Sith, but it has plenty of Imperial stormtroopers. The stormtroopers had gathered a group of prisoners to mine kyber crystals in a large pit (for the Death Star, one would assume). Once the mine is spent, the Empire simply abandons them, leaving them behind in the pit. With the workers despairing, a young man, Crux, climbs to the top of the pit and travels to the nearby city, seeking help to get everyone else out. His pleas fall on deaf ears at first, as the people go about their business. But once he makes clear what’s happening, the Imperials in the city capture him and drag him back to the pit, hurling him down back into it, killing him. But the people of the city heard him, and head out to the edge of the pit. They are drawn to it by the trapped workers shouting “Follow the light!” over and over. The stormtroopers try to drive them away, but they do not succeed, and the city folk send ships down to save the pit workers. It’s a great story about ordinary people coming together to help each other.

Aau’s Song. (Triggerfish, South Africa). I’m not a big fan of the stuffed-animal look, but this one was charming, and links music with the Force. A young girl named Aau lives on the planet Korba, which is filled with kyber crystal, but they had been corrupted by Sith a long time ago. The Jedi often come to the planet to help heal the crystals. Aau’s father works in the mines, but she is not allowed to go, as her voice has an effect on the crystals that they don’t understand. The Jedi who comes to the planet senses that she has a gift and encourages her to use it. So she sneaks down to the mines and sings, and her voice heals the crystals–all of them. A sweet story about using the gifts we possess, even if we don’t always understand them or where they will lead.

I loved the international flavor of these shorts this time around, and I really hope this becomes an annual thing. Visions is a great way for creators to make unique stories with Star Wars flavors, something different in the fandom that we can all look forward to. If I had to choose my top three this year, it would be Sith, The Bandits of Golak, and The Spy Dancer.

Did you enjoy Visions? What were your favorites? Let me know in the comments and we’ll talk about it!